Hannah Nazri trained as an obstetrics and gynaecology doctor, and continues to work across medicine, research, and storytelling. She has never been satisfied with simply applying treatments, and remains drawn to the questions beneath them. Why do certain interventions exist. Why do some conditions still have no cure. Why is women’s health so often shaped by what remains unknown.

That curiosity led her into academia, where she learned to question assumptions, to sit with uncertainty, and to use the scientific method as a way of understanding the world. Over time, she also came to see its limits. Much of what is discovered remains distant from the people it is meant to serve, contained within journals or never shared at all.

She wanted knowledge to move. To reach beyond institutions and into lived experience. This led her into entrepreneurship, where she learned how ideas take form in the world. Change requires both speed and structure, but also something less tangible. It requires resonance.

Policy became a natural continuation. Systems shape lives, and if those systems do not reflect reality, they cannot create meaningful change. But policy alone cannot transform how people see themselves. It cannot reach the quieter layers where belief and identity are formed.

This is what drew her to film.

Film allows entry into those inner spaces. It moves through memory, perception, and emotion. It gives form to what is often unseen or unspoken. Where science seeks to explain, film can help us feel. Where policy sets direction, film can shift perspective.

Her work sits at this intersection. It brings knowledge closer to experience, and explores how understanding begins not only with evidence, but with attention, feeling, and story.